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Poems by Michael Sickler
Insomniac
To an insomniac the solitary notes of birdsongs' tumbling trill into bleary half-light is a crying sister carried off to a convent.
Sleep is a wishbone: clothes that won't fit, a one-way mirror, a cat sucking at the breath of dreams.
Insomniacs know there is something loathsome about night, that Roman Fever of muffler disease, the pitched tinny buzzing malaria of self-examination done only when sleepwalking.
An insomniac wants to catch a train, hears its clacking echo on the tunnel wall, feels the gust of electric wind blister the eyes, watches cars of faces move past the platform toward the city of sunlight.
Der Schlag
Carrying the newspaper downstairs the railing is loosened. Clacks its teeth. One arm slides down a black hole a broken nightlight.
Somewhere in the Oceans' Blue Light of movie print Leni Reifenstahl is dancing numb underwater a one hundred year spark fizzing diving like the german word for stroke.
My mother calls me in a trance over and over says she cannot see. Her stroke a spell. Her eye is broken. Over her face the arm she used to part her black hair is gray. Words trip to broken hips and she wants it to be over.
Flowing from the Eyes
There is no steam of exiled breath. Across the street,
where winter has seized up, the blanket that covers her is a mountain.
Some woman steadies her head on pillows of snow. Somewhere, I think, in Moscow,
an old horse has fallen. Starlings, three circles, clouds of breath fall turning in silent unison.
Men in yardcoats poke with sticks the belly of an engine that gives them no answer.
A husband heaves with fear, stands guard outside a trailer torn apart by the wind of barking dogs.
The street flowing from its eyes... we, all of us, pull something.. Each of us is something of a horse. *
*Excerpted from V. Mayakovsky's "Good Treatment for Horses"
Fiume
Each street a canal, each door a lock, as monks watch from windows shuddering, fearing the river's broom.
Shops swept clean of chairs, chests and tables, legs upturned, bobbing like bloated corpses. Ceramic vases, little putti faces desperate to keep from swallowing water all carried downstream, the land reclaiming its wood and clay
As if the cities' artisans had sinned in painting their own expulsion and needed baptism.
Heaving Ponte Vecchio feels the snake-bellied Arno flex. Green and white Santa Maria Novello is anointed in a perfume of wet silt, while wooden magdalens with hand bridges pray waters quiet, singing Aves to keep Michelangelo's damp bones from floating away.
All poems featured in The Comstock Review (2002-2005)
Some notes about the poet: Michael Sickler is a practicing professional artist, Professor and former Chair of the Studio Arts Department at Syracuse University. His art is represented in business, university and private collections across the USA and England. To celebrate 20 years of publishing excellence, The Comstock Review is proud to announce that his art work will be featured on the first CR color covers, published in 2006.
Mike recently been named to the Laureate Council for the Ted Kooser Project in Syracuse, Spring 2006. He was also involved in the Syracuse Pinsky project. Poetry publications include two chapbooks, Stereopticon (Threshold Press, 2000) and Greatest Hits (Pudding House, 2005) and poems featured recently in Salt Hill Journal, Asheville Review. Defined Providence Review, and Controlled Burn Poetry Review. He has been twice nominated for a Pushcart Prize.
Active for many years in the National Slam Poetry movement , Mike was a past Slam Champion for the city of Syracuse. Readings have been held at the YMCA Downtown Writers' Center, Barnes and Noble and many other venues in the Northeast.
His exhibits, reviews and interviews on art are too numerous to mention. He is listed in Who's Who in American Art, Who's Who in the East, Who's Who in America, and Who's Who in Education.
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