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Poems by Michael L. C. Morgan 
Excuses
Broaden the theme but be concise Not quite what we're looking for It's underdeveloped Wonderful piece but we support local writers A tad trite cliched stereotyped prosey colorless derivative flat too loose Needs tightening Falls apart in the last stanza Drop the prepositions Ever heard of punctuation?!?!?!? Try a gerund It's still too loose Needs more tightening Been said before and better Everything is adjectives We've declared war on adverbs Attack your subject Remember the Alamo Remember the Maine Remember Pearl Harbor Forget it it's still too loose The best poem ever written about a cat is still just a poem about a cat Parse it It needs phrasing Why do you CAPITALIZE every line (It won't happen again so help me ben franklin) thank you for your recent submission it's too tight we notice that you're allergic to commas (meow) don't think of this as a rejection notice have you tried Hallmark cards we told you not to capitalize try us again keep tightening it's stil too loose there are courses for your particular style of poetry try one soon sooner than that we enjoy reading your efforts keep writing it's still too loose nouns are words too try using one sometime perhaps you should consider another poem this just isn't working but keep writing do keep writing your attempts show promise you have unique skills in all future correspondence please enclose a SASE it's still too loose keep tightening I'm afraid it's hopeless many great novelists began this way.
--featured in Poetpourri, 1994 but a continuing classic among editors!
Requiem ---for Barry Couillard
Valium and Vivaldi are not natural partners, so he began to hum some Handel adagio, when they brought in the gurney. He fought to keep his mind alert, tested harmonies and chased eighth notes up ascending scales.
He saw his advent through the hospital hallways as a resounding Bach fugue for organ. It was all cadence and repeated tempos, a river of music pulling him toward clouds of blue gowns and icy scalpels.
Doors opened and in his Demerol dreams he was strutting to a podium, as a theater was filling with applause. Turning to the orchestra, he tapped for attention with the baton, then waved his arms intently and the room filled with symphonic drama.
He thought he felt the blade slide along his side and saw himself a martyr, flayed alive as strip after strip of fresh flesh peeled away from his torso. Still he waved his arms and his silent screams blended into a series of Requiems. He was conducting Mozart, then performing Berlioz, on to Brahms, then Faure and finally Verdi.
Ah, Verdi! This is where it had to end. He felt himself grow weary, the baton becoming lead. Still he drove them toward the final bars, the continuing throb of repeated "Amens."
And then it was over. He knew it had been a triumph. The silence of the applause was all that he remembered, hands moving over him with deliberate and, finally, tender dexterity, while the Amens went on and on.
---Reprinted from The Comstock Review, Fall 2000
Cinquain
With time the cherub face became the child herself, a life in bas-relief, hewn stone marker.
Terminal
Monet's "Impression, Sunrise" hanging in a waiting room caught a jaundiced eye and he saw himself at the oar of a dark skiff tediously rowing toward the shimmering glow knowing like the painting itself that all was expectation; and hope too distant to matter would rise to fill a day which for him would never come.
--- Both reprinted from The Comstock Review/ Poetpourri

Michael Morgan died on May 7, 2005 in Syracuse, NY at 58 years of age. He is survived by his mother, two sisters, and lifetime friend Kathleen Bryce Niles. His life is celebrated by many friends, especially those he met through his work as Music Director for St. Lucy's Roman Catholic Church (for over a quarter of a century) and as Immigration and Naturalization Specialist through the Syracuse City School District since 1970. Here at Comstock Review, we celebrate his work as Founding Member of Comstock Writers' Group, Inc., Treasurer of the Board for many years, editor, critic and friend.
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