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Poems by Cathy Gibbons:
Demanding the Flower
Who devised these seasons of knowing so messy, muddy, untamed? I don’t want to wait anymore –
Make ME bloom.
I’m tired of root digging, tapped out of patience. I could carry this further to pruning, planting, growing, storms, rodents, bugs, but all I want is the BLOOM.
What I want is a superhero comic book Muse who will Swoop me away in big finned cars, give me jewelry and fuss, put yellow in my hands so bold the daffodils will know we’re related.
No, don’t get me off track.
MAKE ME BLOOM. lay me out in beds of blue, give me green fire eyes, tap my veins, turn my hair red.
I know art is in the patience, in the working, in the prayer, but today I want to be combustible, consumed by blooming, convulsed in yellow.
As featured in The Comstock Review, Vol. 11, No.1
Sleeper
She says to her young son crossing the grocery lot’s hot asphalt on a gleaming July afternoon, “Grab a wing, chicken – That’s what my father used to say to me.”
I imagine a farmer in Upstate New York seated at a picnic table about to dig in, American dreams sleeping sound in stalks of corn.
Memories of old colonels blow through the motor hum of John Deere tanks, the war ending, again he lies safe in his wife’s embrace, the only things slaughtered chickens and other men’s beanpole grandsons.
Comstock Review, Vol. 11, No.1
Diagnosis
One day everything changes I’ve read this before but now it happened in my house hold and I respond slowly as if waking hard on a pale and chilled October morning when we first notice fire in the maples and shadow geese flying near, going on The Comstock Review, (Vol. 15, No.2)
Mid-Voyage (on the way to the New World)
Last night’s wine was sour, steeps as vinegar in my hollow stomach. The sea lurches.
Gritty remains of old grapes stick to the barrel slats. I reach my arm down inside straining at the shoulder socket. My fingers troll for skins. The scraping brings me home, Andalusia, the smell of my father’s sweat. Will there be grapes, olive trees where I’m landing next?
Hunger maps my trail. My teeth ache for a piece of bread. All that’s left, everything, salted.
The Father tells us to remember Jesus was thirsty. I kiss the feet of the alabaster Saviour, shield my eyes from the golden cross. The sea is blue as Mary’s dress. I lick my purple fingers.
Still no birds on the far horizon. Today I would turn back.
From "The Americas cycle," set in the early days of colonial Mexico
Engraving
I know she had long black hair. maybe at night in the heavy hours she held me in her arms, covered me with her hair, soft blanket, pressing me as if I could go back inside.
I don’t remember her face anymore. I should have carved it in bone those first months of leaving the way the sailors did on deck night after night, calm wave after calm wave, between storms, remembering wives and daughters, shape of cheeks, tilt of noses, how their hair was piled and parted.
I still have the gold coin I never showed her, the etched face worn smooth after so many years hidden in my pocket. My hand tightens round it.
When I uncurl my fist I want to see my mother’s face engraved, perfect in every detail, radiant on my palm.
From "The Americas cycle"
Asylum: An Elegy
In Mexico City’s school of Filosofia y Letras, we gathered, hushed, in the cold and darkened concrete auditorium. Half a continent away military boots trampled Chile as the assassinated president’s new widow, pale and shocked, stood exiled with her children before us. Octavio Paz led us in mourning her husband, their father, Salvador Allende.
Poets and lawyers, engineers and teachers, doctors, students, labor leaders, mothers, Mexicans and Chileans, Europeans, Africans, even a few sickened Americans rose and applauded her, opening floodgates that spilled from our Mexican highland to the blood bathed ocean of Neruda’s butchered home country. We gave the solidarity of our anonymous love grasping hands to receive the blows of grief’s striking fist.
We did not know yet Pinochet’s tortures. Young and old, maimed and murdered, herded and stacked in stadium passageways, rats stuffed whole in women’s vaginas.
Artist, listen. Artista, escuche. They are not silenced if we remember. Truth demands memorials. It will happen again.
Give us the refuge of your clear voice.
From "The Mexico Poems”
After Effects
The meal is over but the green chile’s bite slowly, incrementally magnifies contours inside my mouth.
My tongue reverberates. Armies of spikes squeeze out saliva as if rain could wash away this seasoned sting.
From “The Mexico Poems”
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